Report on the Archaeological Fieldwork of the
Australian-Egyptian Expedition in the Tomb of Mereruka
in the
Season 2008
The expedition started its work on
the 2nd of January 2008 and finished on the 14th February
2008. Work was concentrated in the chapel of Waatet-khethor,
beautiful name Seshseshet, with the aim of completing
the recording of certain details in the scenes and inscriptions and
re-photographing some of the scenes which we realised needed clearer images. A
complete study of the colour conventions was also undertaken. All of the
photographs and drawings which were previously prepared had to be checked in
preparation for the publication of the chapel within the year of 2008.
Our studies have demonstrated the
special importance of this chapel and the distinguished position of its owner,
who appears seated in a palanquin that is decorated with the figure of a
recumbent lion. This motif is certainly a royal one and it does not appear in
any other
On the other hand, in the chapel of
his mother Waatet-khethor, Mery-Teti
was described as her son, her beloved. Such a designation was unlikely to cause
any confusion as she is represented in this context practically on a throne. Mery-Teti appears with his mother in every scene within her
chapel except when she sits at the offering table on the north and south walls
adjacent to her false door. The latter of which is decorated with a palace
façade. Mery-Teti also appears with his mother in the
above mentioned palanquin scene where she sits on the throne decorated with the
figure of a lion.
We also noticed that at the end of Teti’s reign, the king produced a son named Pepi I. Accordingly Mery-Teti
lost the privileges that he gained as the heir apparent and his parents also
seem to have lost their special status. This is reflected in the poor quality
of the scenes which appear in the rooms of their chapels that were presumably
decorated after the birth of Pepi I. This coincides
with the inscription in Room A10 where Mery-Teti is
referred to as “his son”, that is Mereruka’s son, and
not the eldest son of the king of his body.
In the chapel of Waatet-khethor,
a daughter by the name of Nebu-ib is represented and
described as “her daughter, her beloved”, although no daughters are depicted in
the tomb of Mereruka. As Mereruka
regularly depicted his wife in most of the scenes in his chapel and represented
his mother a number of times it is rather unlikely that the absence of the
daughter in his chapel was due to his desire not to commemorate his daughter
because of her gender. Mereruka was obviously very
proud of his marriage to princess Waatet-khethor and
accordingly it would have been expected for him to record all offspring of this
marriage. It seems more likely in this case that the daughter Nebu-ib was born after the completion of the decoration of Mereruka’s chapel or more likely after the death of Mereruka himself.
The skeletal remains of Waatet-khethor were found in the 1920’s and were sent to
the
The expedition contacted the Anatomy
Department at
I would like to take this
opportunity to present my sincere thanks to the Supreme Council of Antiquities
for permission to continue my work in this important tomb and I would like to
present special thanks to Prof. Dr. Zahi Hawass, the Secretary General of the Supreme Council of
Antiquities; Mr. Sabri Abd-el-Aziz,
the Head of the Egyptian Archaeology Sector; Mr. Madgy
El-Ghandour, Director General of the Permanent
Committee and Expedition Affairs; Mr. Osama El-Shimi,
Director General of Archaeology at Saqqara; and Mr. Sabri
Farag, Chief Inspector of Saqqara; for all the help
they provided in facilitating our task. Special thanks are also due to our
accompanying inspectors, Mr. Amir Nabil
and Miss Miral Lashin, who
spared no effort in assisting us in all aspects of our work.
This was a report of the
Australian/Egyptian expedition on the tomb of Mereruka
in the season of 2008.
Head of the Australian Expedition, Head of the
Egyptian Expedition,
Naguib Kanawati Mahmoud Abd El-Raziq

Fig. 1 Waatetkhethor on a throne like seat

Fig. 2 Waatetkhethor with her son Meryteti
and daughter Ibnebou

Fig. 3 Waatetkhethor’s palace façade in the offering room